There are many astonishing data points about Thom Puckey‘s sculptures, and (warning) some of you may find them disturbing. Most of his work over the past decade is life-size, realistically detailed female subjects with different kinds of guns – sculpted flawlessly in marble (often monochrome marble, to be exact). Puckey explains,
My project: marble figures, life size, female, nude, formally posed, and with attributes in the form of weapons (modern firearms and knives of varying types and sizes). My techniques are anachronistic, following closely those of the late 18th / early 19th century. (…)
The nudity in my work is the area where I allow two types of obsession with the female nude to overlap with each other. The ‘classical’ obsession and the cultural obsession which surfaced in the 1960s and which has grown and grown ever since then. The one where the taboo is disguised and allowed by ‘responsible’ artistic tradition, and the other where the taboo is pushed against and aside by ‘irresponsible’, incorrect, commercial and sexual interests. I play directly into these two types of approaches to the nude, I temper the particular obscenity of the one with the particular obscenity of the other. I allow posed 19th century-like formalities bring a kind of order to 20th and 21st century violent indecency. The presence of modern weapons in the sculptures makes them seem contemporary in a cheap kind of way, this I realise. I like this suggestion of cheapness, I play into it. Chicks and guns. At the same time I let the matter overlap with the threatened, threatening, violent female figure of history and myth, from the Papin sisters, through to Diana, Lucretia, Judith and so on.
He will be doing a solo exhibition of his work at the end of this year in Holland: Thom Puckey – Solo Exhibition. Stedelijk Museum ‘s-Hertogenbosch. New works in marble (November 2, 2013 – January 31, 2014). “The exhibition will feature several existing marble works from public and private collections in the Netherlands and abroad, as well as two completely new and ground-breaking marble sculptures, specially made for the show.”
This tinynibbles.com feed is for personal, non-commercial use only and is held within federally registered trademark Violet Blue® (R).
The use of this feed on any website other than Violet Blue's Tiny Nibbles: Open Source Sex breaches copyright, violates U.S. Federal Trademark law, and the Federal Trademark Dilution Act. If this content is not in your news reader, it makes the page you are viewing copyright infringement, theft and trademark violation.
21:40 
Après une première émission
très réussie consacrée à la toute jeune société d'édition de vidéos The Ecstasy of Filmsfondée par le talentueux Christophe Cosyns, Radio Medusa revient lundi 8 avril 2013 sur les ondes pour nous offrir une nouvelle tranche de Bis,
pendant près d'une heure, avec au sommaire la distillation éclectique du fanzinat cinématographique français - tels Monster Bis, Diabolik Zine, Weng’s chop ou encore A gore hurlant - mais aussi la critique endiablée des livres
Orgasmo - les deux derniers ouvrages coécrits par Maître Christophe Bier - le tout sur un fond
de punk’n’roll cher à Didier Lefevre, l'animateur déjanté de ce rendez-vous nocturne diffusé sur Radio PFM et Kicking Radio. Et puis j'allais oublier... vous pouvez également y savourer un entretien avec le
rédacteur en chef de Darkness
Fanzine.
